Spammit

A website I have never visited until today has been sending me junk e-mail for over a year.

I’ve always resisted clicking the thing at the foot of the e-mail that says ‘click here to stop receiving these e-mails’ for the entirely irrational and foot-shooting reason that I feel like by doing that I will in some way be accepting that they had some right to be sending me the e-mails in the first place.  Nonetheless, this evening I’ve finally had enough and clicked the thing.

It took me to a page with an option to ‘unsubscribe’ from this e-mail list (as if it were I who’ve changed my mind rather than they who should never have been sending me the wretched things in the first place — you see, this is why I didn’t do this before).  I ticked the box.  There was small-print below telling me that I might still receive administrative e-mails.

I saw a tab saying ‘account’.  Maybe, I thought, if I delete whatever manner of ‘account’ this site had convinced itself I set up, it will stop sending me e-mails entirely.  So I clicked the tab and was invited to enter my password, which in my case I have not got.  There was a link called ‘Forgotten your password?’  I clicked it, lying.  A new screen invited me to type in my e-mail address twice.  I did so and clicked ‘submit’.  The site said:

We’re sorry, we do not recognize the email address that you entered.

No.  No, of course you don’t.  It’s only the e-mail address to which you have been sending unsolicited e-mail since April 2010.

Herclé.

Picture is a fake advertisement based on a still from the most recent episode of Doctor Who.  The presidential desk in the Oval Office in 1969.  Behind it sits the Doctor (played by Matt Smith), hands folded, looking straight at us like ‘let’s get down to business’.  On the left, sitting on the desk and holding the receiver of a red telephone to her ear, is Amy (played by Karen Gillan); on the right, walking behind the desk and making notes on a paper file, is Rory (played by Arthur Darvill).  I’ve just noticed each of these actors has a double-letter in their name.  Anyway, sorry, yes.  The image has blocky business-like sans-serif capitals at the top saying: ATTACKED BY MONSTERS?  ERASED FROM HISTORY?  TURNED INTO A ROMAN?  WE CAN HELP.  And then at the bottom it says: SPACE-TIME LAWYERS and in big blue letters TEAM TARDIS and then smaller again CALL 1-800-DOCTOR NOW.  OUR OPERATORS ARE STANDING BY TO TAKE YOUR CALLS.  NO WIN, NO FEZ.

Picture is a fake advertisement based on a still from the most recent episode of Doctor Who.  The presidential desk in the Oval Office in 1969.  Behind it sits the Doctor (played by Matt Smith), hands folded, looking straight at us like ‘let’s get down to business’.  On the left, sitting on the desk and holding the receiver of a red telephone to her ear, is Amy (played by Karen Gillan); on the right, walking behind the desk and making notes on a paper file, is Rory (played by Arthur Darvill).  I’ve just noticed each of these actors has a double-letter in their name.  Anyway, sorry, yes.  The image has blocky business-like sans-serif capitals at the top saying: ATTACKED BY MONSTERS?  ERASED FROM HISTORY?  TURNED INTO A ROMAN?  WE CAN HELP.  And then at the bottom it says: SPACE-TIME LAWYERS and in big blue letters TEAM TARDIS and then smaller again CALL 1-800-DOCTOR NOW.  OUR OPERATORS ARE STANDING BY TO TAKE YOUR CALLS.  NO WIN, NO FEZ.

(via ladysaviours)

torayot:

totheexperts:

[image: the first page of the NO2AV leaflet, with much of the information labelled as misleading or irrelevant].
[Most of original post omitted: click the link to read.]

Jamie was very >:C at the latest batch of No to AV leaflets that arrived at his flat.

No I wasn’t.  I am a civil servant and therefore have no opinions about the ‘no’ campaign’s persistent attempts to confuse and scare people with arguments that they must have been told are provably, indisputably, mathematically false.

torayot:

totheexperts:

[image: the first page of the NO2AV leaflet, with much of the information labelled as misleading or irrelevant].

[Most of original post omitted: click the link to read.]

Jamie was very >:C at the latest batch of No to AV leaflets that arrived at his flat.

No I wasn’t.  I am a civil servant and therefore have no opinions about the ‘no’ campaign’s persistent attempts to confuse and scare people with arguments that they must have been told are provably, indisputably, mathematically false.

(Source: flapjackstate)

Reasons why whovians should be watching the original Being human already:

evewithanapple:

tennants-:

  • We have Alonso
  • And he’s the most adorable werewolf ever. He’s also naked half of the time
  • We have Cheen aka the random girl who was in the ship with Martha in Gridlock.
  • And she’s the most lovable ghost you’ll ever see.
  • We have Mitchell, who hasn’t been on Doctor Who but…
  • sadajsdklfdasjdkaflkasdkfasldfaksdlfaksd
  • So we have this:
  • And basically this:
  • Now, do a favor to yourself and WATCH THE HELL OUT OF THIS AMAZING SHOW.
  • okay? OKAY.

I’m number 69 on the waitlist at the library. *sob*

Third series starts on Sunday!  Yay!

(But what’s going on with the sexyposing cast pictures up there?  That’s… really not what Being human is like.  Or for.  Two of those three characters don’t project themselves like that at all.  Annie doesn’t wear make-up like that and George doesn’t have trendy stubble and does often wear glasses.  The three of them have never sprawled around together in bed as far as we’ve seen.)

(I mean, I’m not saying ‘these actors are attractive’ isn’t a good reason to watch something.  At least half the reason I picked up the first two seasons of Weeds in the sales, and at least half the reason the two people I’ve just been watching it with wanted to watch it, was because Mary-Louise Parker’s face.  But, I mean, people who are excited about Being human on the strength of those last two pictures are probably going to be disappointed.  Which would be a shame, because it’s really quite good.)

(Basically, can’t things sometimes be worthwhile without being sexy?  Isn’t that okay?)

(Source: oncetennantss, via ladysaviours)

English literature? Really?

BBC Radio 4 is trailing a series of readings from ‘one of the greatest works of English literature’: the King James bible.

Um?

Like, I know that translation has a very important place in the history of English prose (and also in the history of religion in Britain, obvs), but isn’t ‘literature’ a broader term than prose?  Doesn’t it also include the narrative and thematic content of the book, and suchlike?  And doesn’t calling something ‘English literature’ imply that the narrative and thematic content, as well as the prose, is English, i.e. was written in English to be read in English?

On the other hand I suppose you can argue that narrative and thematic content isn’t in any particular language but is just in ideas, and it’s only ‘in’ a language once it’s made into sentences, at which point what you’re talking about is the prose.  But language structures ideas.  Nobody thinks in non-language, right?  And in any event, plainly we wouldn’t normally call, say, Anthony Burgess’ translation of Cyrano de Bergerac a ‘work of English literature’.

Of course we all know that Jesus himself was a fair-skinned tea-drinking Englishman, just like his dad.  That goes without saying.  But the book — surely most of the credit for that as a work of literature has to go (divine inspiration aside) to the folks who wrote it in Hebrew and Greek?

· • ·

In other Jamie Is Listening To Radio 4 news, Danny Boyle sounds like a thoroughly nice chap.

glasses-kid:

inherhipstheresrevolutions:

I need to watch this. Three awesome comedians all in the same room?! It’s just too much.

You haven’t watched Black Books? :O

Pardon me for jumping in, but I thought those who live in the UK and have £10 to spare on frivolities might like to know that HMV are selling the complete three-series set for a tenner at the mo.

glasses-kid:

inherhipstheresrevolutions:

I need to watch this. Three awesome comedians all in the same room?! It’s just too much.

You haven’t watched Black Books? :O

Pardon me for jumping in, but I thought those who live in the UK and have £10 to spare on frivolities might like to know that HMV are selling the complete three-series set for a tenner at the mo.

(via thatfeministwithglasses)

wholesomeobsessive:

“Major women’s mag seeks males (20s-40s) who feel feminism has gone “too far”. Do you feel emasculated by overt female empowerment? Do you feel like female affirmative action has disadvantaged you? Do you think that male health is neglected in favour of things like breast cancer awareness? Are you confused about whether to be chivalrous & open doors, pull out chairs for females or do you feel like this may be viewed as “sexist”? Do you wish your wife would maintain a more traditional female role (ie. staying home and looking after the kids), rather than powering up the career ladder? This will be a non-judgmental Q&A piece with four males, asking their opinions on how they view feminism.”

SourceBottle: Major women’s mag seeks males who think feminism has gone “too far”

Wow, because such an article has never been written. Ever. “We will be the first magazine to TAKE DOWN FEMINISM!!”

Because it’s feminism’s fault these men are so terrible insecure and emasculated. Of course.

-_-;;

(via tiaramerchgirl)

What.

             I…

                        …

                                 What.

I mean, what is this article supposed to show?  ‘Our survey of men who feel feminism has gone too far suggests that men feel feminism has gone too far’?  Sorry, no, it isn’t a survey, is it?  It’s a Q&A.  What sorts of Qs are worth asking this pre-selected group?  ‘Do you feel feminism has gone too far?’  ‘Yes.’  ‘That’s okay, we won’t judge you.’  Unlike society in general, which, as we know, is enormously hostile to men who feel feminism has gone too far: so much so, in fact, that they are really the most persecuted group in the world today.  ‘Non-judgmental’?  Seriously?  It’s as if they thought, ‘Hmm, asking for men who feel feminism has gone too far will get a selection of unenlightened individuals, but it may not reliably give us the absolute most objectionable selection of spitmongers possible.  Maybe if we threw in a line that would appeal to men who not only disdain women but also think that doing so makes them an oppressed minority?  Yeah, I guess that might do the trick.  Oh, hey, but wait!  Just to clinch the deal, let’s include a list of questions that are all really cover for the implicit question, “do you measure the social, political, and moral desirability of a movement intended largely to improve life for women solely by reference to whether it causes you, an individual man, confusion, inconvenience, and a diminished sense of your own importance?”  Yes, surely anyone who answers ‘yes’ to that question is exactly the sort of person who will give our readers an accurate representation of how all men feel about feminism.’

GNNNYYYAAAAAAAAARRRRRRGH.

erosbeckons:

Vintage Facebook Ad.  I love Stumbleupon.

Extra win because she looks like Nora Zehetner.

erosbeckons:

Vintage Facebook Ad.  I love Stumbleupon.

Extra win because she looks like Nora Zehetner.

(Source: teapartyfoul)

emilyswash:

queermovieman:

Let me make it clear that I think this is kinda stupid. And when they conflate genitals with gender, it gets cissexist. But I like hearing kids swear. I’m horrible like that. :)

i couldn’t even get a full minute in. OBVIOUSLY i have no trouble with swearing, as anyone who has been around me when i have to get off of a very comfy couch can attest to, but when it’s done like this, just for shock value or whatever the heck this is supposed to be? i think it is fucking stupid.

OR MAYBE I AM TEH PRUUUUUUUUDE. don’t care.

I think part of it is that swearing is a very spontaneous and conversational thing to do, and when it’s so obviously scripted and so obviously delivered from a script it just loses any sense of someone trying to express genuine anger or frustration or enthusiasm or whatever.

(via nuditea)

imnotmorrissey:

Some dudes marry dudes.Some chicks marry chicks.
GET OVER IT.

I like this.  This is good.  I don’t want to dis this.
But.
This is the second time I’ve seen it, and I’m now finding it increasingly hard not to notice
           the way
his thing is ‘Look, I have words on me and they say a thing that you should read and note’
           and
her thing is ‘Look, I have a sexy bod.  Also words.’
Yes / no / Jamiewhycanyouneverletmejustenjoyanything ?

imnotmorrissey:

Some dudes marry dudes.
Some chicks marry chicks.

GET OVER IT.

I like this.  This is good.  I don’t want to dis this.

But.

This is the second time I’ve seen it, and I’m now finding it increasingly hard not to notice

           the way

his thing is ‘Look, I have words on me and they say a thing that you should read and note’

           and

her thing is ‘Look, I have a sexy bod.  Also words.’

Yes / no / Jamiewhycanyouneverletmejustenjoyanything ?

(via ladysaviours)

emilyswash:

sexistads:

Never mind that it looks as though this man is interrupting this woman sunbathing on the beach - he has a bottle of vodka and two glasses, so it’s alright.

also, what the hell is this photoshopping? he’s clearly behind her arm that is down, but also right behind her arm that’s up, and his feet are weird… what the heck

I think possibly it works if you read her as lying on a raised rectangular thing that’s the same colour as the floor.  So the edges of the rectangular thing are blocking the view of the insides of his feet, and he’s actually standing approximately above her upper thighs, so it’s okay that her left arm is fully extended and still hasn’t reached his leg yet.  But yeah, there’s no good reason to make an advertising image that needs that much work to make sense of.

emilyswash:

sexistads:

Never mind that it looks as though this man is interrupting this woman sunbathing on the beach - he has a bottle of vodka and two glasses, so it’s alright.

also, what the hell is this photoshopping? he’s clearly behind her arm that is down, but also right behind her arm that’s up, and his feet are weird… what the heck

I think possibly it works if you read her as lying on a raised rectangular thing that’s the same colour as the floor.  So the edges of the rectangular thing are blocking the view of the insides of his feet, and he’s actually standing approximately above her upper thighs, so it’s okay that her left arm is fully extended and still hasn’t reached his leg yet.  But yeah, there’s no good reason to make an advertising image that needs that much work to make sense of.

(via nuditea)

this ain't livin': Pink is the Colour of Exclusion

I suspect I will be writing several entries this month discussing why I feel that ‘breast cancer awareness’ campaigns, in their current iteration, are sexist, cissexist, exclusionary, and sometimes actively hurtful. I do so not because I am pro-breast cancer; just the contrary. I am extremely anti breast cancer. And that’s why I want activists working for ‘breast cancer awareness’ to reevaluate what they are doing, and how they are doing it, because I want them to reach more people. I want them to kick cancer’s ass. If you will forgive me some violent imagery for a moment, because I really hate cancer, I want them to tear into cancer with their bare hands and shred it. Stamp it out. End it.

So, this year, I want to start with the fundamental underpinning of ‘breast cancer awareness,’ the thing that has come to symbolize breast cancer, the instant shorthand that reads ‘I care about breast cancer.’

Pink.

(Do click through to read the whole thing.  ‘Tis good.)

As it happens, Breakthrough Breast Cancer, a British charity, has a poster campaign running at the moment that’s a little bit pink but mostly looks like this:

Image from Breakthrough's website

(Image is of what looks like a thick sheet of metal embossed with the words ‘BREAST CANCER’ in chunky sans-serif letters.  The metal is indented all over with fist-marks and foot-prints as if people have been pummelling it.  To the right is a pink headline saying ‘WELCOME’ and grey text below saying ‘Breast cancer is the most common cancer in the UK.  But with your help, it can be beaten.  Find out how you can get involved in Breast Cancer Awareness Month and show your support for Breakthrough.’)

Both their general website and their special ‘awareness month’ site are still very pink, though.  But they do seem to be in a more ass-kicking mood, and are also slightly shifting from ‘be aware of the problem’ to ‘make yourself aware of what you can do about it’.  Which is nice.  And there’s a moderately high-profile section on male breast cancer on the site too.

(Source: se-smith, via nuditea)

Lipstick Feminists: ANYONE can stop rape.

carters-world:

sententiola:

carters-world:

sententiola:

emilyswash:

[trigger warning for discussions of rape? i think]

lipstick-feminists:

Submitted by snowstorminjuly:

I have to say something about the “Men Can Stop Rape” ad.  That is still catering to cultural assumptions about masculinity.  Why can’t it say, “my heart/humanity/intelligence/respect/etc. is not for hurting”?  Why must we reinforce this stereotype?  I am currently in my critical theory class so I can’t formulate my thoughts fully, but it is something I have debated in my gender studies classes many times.  Though I fully agree it’s important to reinforce that no woman is asking for it, etc. etc., I think that this campaign is a kind of anti-feminist way of doing it.  What are other thoughts on this?

my thought is that people don’t generally rape other people with their heart/humanity/intelligence/respect.

i think i get where you’re coming from, but i’m not sure there’s a better way to state it than “strength.” the only problem that word has for me is that it seems to imply that there’s always physical struggle, which is not true

I’m inclined to read the slogan not so much as implying that all men are strong / value their strength but more as indicating the particular type of man the ads are targeting, namely young men who do want to think of themselves as strong.  Which perhaps answers that question but raises another: what about the Nice Guys and other men who don’t see themselves as fitting the masculine stereotype?  (And, indeed, what about the rapists who are not men?)

It feels to me like there isn’t a perfect fit between the slogan and the images and captions used on the ads.  The slogan speaks to the man who wants to be a traditional manly man.  I can’t say with any confidence that that’s the intention, of course, but I can say that it doesn’t really speak to me.  But the images and captions cover a broader sweep of people and scenarios, and the style of the captions is radically simple and plain, in contrast to the rather rhetorical ‘My strength is not for hurting’.  I personally find the captions and images more effective than the slogan.

And to add to Satah’s point, the implication that physical force is necessarily involved isn’t only in the word ‘strength’ but also in the word ‘hurting’.  Of course ‘hurting’ can mean hurting emotionally, and ‘strength’ can mean strength of character, but hung together like that they do carry a horrid subliminal message that if you aren’t physically dominating the other person and the other person doesn’t seem to be in pain then it isn’t rape.  Again, the best I can say is that the individual ads are better and throw their net wider, and I hope they’ll tend to be what has the main impact.

Frankly here it is again: Rape is all about Men. Hogwash, as Virginie Despentes points out we women have to take control of the entire topic. Rape is an assault, that’s all. No sturm und drang.

 And women need to become powerful to fight if assaulted. I’m taking a R.A.D class and I think all women should.As for non-sterotypical men, they should take a self-defense course too. It’s all about empowering yourself. 

Isn’t that the sort of empowerment that results in everyone carrying automatic weapons?  Why is that better than trying to encourage people not to attack each other in the first place?

Some feminist you are. I’m not handing over my power to men, saying: ‘please be nice & don’t get drunk and rape me..’ and if I need to carry a gun or knife or I can kick some rapist in the testicles, I’ll do it. I’m not going back into the cage of ‘femininity’. 

http://www.3ammagazine.com/3am/virginie-despentes-interviewed/

Amíca, I’m sorry if I’ve expressed myself poorly.  I whole-heartedly support your rapist-kicking activities.  I didn’t say, and I didn’t intend to imply, that people shouldn’t defend themselves, or that they shouldn’t learn to defend themselves more effectively.  That’s grand.

What I take issue with is that you seem to be saying, ‘We shouldn’t waste time trying to encourage men to stop raping; in stead, we should encourage women to learn to defend themselves.’  If that isn’t what you were saying, forgive me for misinterpreting you.  I think you’ll perhaps agree that your prose style is often quite telegraphic and takes some work to decipher, and I may have got it wrong.

If I haven’t got it wrong, let me explain why I object to your position.

First, this is a false dichotomy.  Telling men not to rape does not stop women training to defend themselves.  It’s entirely possible to do both.

Secondly, and more importantly, although I have no objection at all to women learning to defend themselves, I do quite strongly object to people saying ‘women need to become powerful to fight if assaulted… all women should [take ‘rape aggression defence’ classes]’.  What you’re doing here is putting the burden of preventing rape on women, which is very close to victim-blaming.  It’s a small step from ‘women should make sure they can defend themselves’ to ‘women who don’t make sure they can defend themselves have only themselves to blame if they get raped’.  It’s a way of thinking that invites people to ask, ‘Why didn’t she fight back?’ rather than ‘Why did he rape her?’  It means that not only must women disproportionately carry the risk of rape but they must also disproportionately carry the responsibility of preventing rape.  We don’t say that the way to stop theft is for people to hold onto their bags tighter.  We don’t say that the way to stop murder by shooting is for people to wear bullet-proof vests.  We don’t say that the way to stop arson is for people to cover their houses in asbestos.  Why should we say that the way to stop rape is for people to defend themselves?  Why not say that the way to stop rape is for people to not commit rape?  By all means let people learn to defend themselves, but if we say that this is the solution to rape we’re absolving rapists of responsibility.  The responsibility for crime belongs to the criminal.

And what effect do you think it has on hetero men if the constantly repeated message is that it’s a woman’s responsibility to avoid getting raped?  It says to them, ‘Rape is a women’s problem.  It isn’t something you have to worry about.  You have no responsibility here.’  It gives them permission to ignore the issue.  It encourages them to think that there’s nothing they can do about it.

To put the responsibility on women implies that rape is just one of those things that happens, like hurricanes.  You can’t stop it, all you can do is reduce your personal risk factors and prepare yourself to resist it if necessary.  Which, for one thing, is not going to do much to change our culture into one in which rape happens less, and, for another thing, is pretty flaming insulting to men.

On the former point, treating rape like an impersonal and inevitable natural phenomenon surely tends to destroy any impetus to look at ways to make sexual assault less prevalent.  The best that strategy can hope to achieve is to decrease the number of rapes committed by increasing the number of attempted rapes.  It is not going to stop people wanting to, and trying to, rape.  It’s just going to mean that more of them come out of the experience injured and unsuccessful.  Of course that’s better than nothing, but it’s a bit like going into battle with a suit of armour and no weapons.

On the latter point, treating rape as an inevitable fact of life and saying that there’s no point trying to send anti-rape messages to men colludes in the already worryingly prevalent narrative of men as semi-sentient impulse-driven child-creatures with no self-control.  How many films are coming out these days that show men as incapable of taking care of themselves or anyone else and needing women to take care of them?  Does that help women, or does it in fact oppress them by encouraging men to say, ‘No, I can’t possibly cook and clean for myself, I’m too incompetent and child-like.  You have to do it for me’?  How many times do we hear the cliché that men’s behaviour is dictated by their hormones or their genitals or their stomachs?  Does that help women, or does it in fact oppress them by giving men implicit permission to follow their urges without even trying to control them, because society tells them they can’t and they aren’t expected to be able to?  And what if we also adopt a conscious strategy of telling women that it’s up them to defend themselves against men because men can’t be relied on to restrain themselves?  Will that help women, or will it in fact oppress and endanger them by absolving men of any responsibility to hold themselves back and encouraging them to think that if a woman doesn’t resist his advances with physical force then it’s okay to try to screw her?

And finally can we address that point?  Proposing self-defence as the solution to rape frames the issue of rape as a narrow issue of physical struggle, which is what Satah rightly objected to above.  Many rapes occur when the victim is too intoxicated or otherwise semi-conscious to either consent or resist.  No amount of self-defence training is going to help a woman who is nearly comatose.  What’s the solution to that sort of rape?  Tell women they shouldn’t get drunk?  Tell women they should watch their drinks at all times in case someone spikes them?  Perhaps to be safe we should tell women to stay at home at all times.  Except that that probably wouldn’t help much, because a large proportion of rapes consists of date-rapes and other rapes that arise from situations of initally consensual intimacy with acquaintances, friends, or lovers; and here again the self-defence solution plays into an unhelpful narrative.  Of course physical force can help a person fend off a rapist even in their own bedroom when the rapist is someone they know.  But the self-defence model tends to make people think of the lone woman in the dark alley and the stranger coming up behind her in the shadows.  That isn’t what most rapes are like, and that collective mental image marginalizes the experiences of a lot of victims and makes many of them even doubt whether what happened to them was rape at all.  And how far does self-defence actually get you in situations like this?  I don’t know what the RAD programme involves.  I see from the website that it does include some elements aimed at dealing with date-rape, but I can’t discover exactly what they are.  One article on the site describes a three-day programme that seems to be entirely focussed on dealing with confrontations with groups of taunting aggressors in the street.  The three videos all show students on their feet fighting their way out through gangs of attackers.  Would any of that help someone who’s drunk or drugged, or who’s already in bed with a lover and suddenly finds him trying to do something she doesn’t want and ignoring her protests, or who’s in an emotionally manipulative relationship that makes her feel like her consent isn’t important?

Of course, of course there’s a place for self-defence training, and nobody could disagree with RAD’s assertion that everybody has the right to learn to defend themselves.  But saying that women should all learn self-defence is putting an extra burden on them, encouraging people to blame the victims of rape for failing to avoid being raped rather than blaming the rapists, and conniving in a culture that makes men believe they neither can nor should do anything to stop themselves or their friends raping; and saying that the solution to rape is for potential victims to learn to defend themselves ignores a large number of situations in which that’s going to be impossible or difficult, and also reinforces the pernicious and widespread belief that violent rape by strangers is the only real kind of rape.

I’m not saying that you’re actually putting forward all the views that I’ve criticized here, but I’m suggesting that what you’ve said fits in too easily with these views, and in particular I’m disagreeing with your suggestion that we shouldn’t target anti-rape messages on men.  Men do most of the raping in the world.  Society’s failure to hold them responsible for it is a problem.  I don’t see that there can possibly be anything to lose from telling them not to do it.

[By the way, are you pseudonymous on Tumblr or are you happy to be referred to by the name I know you by?]

Lipstick Feminists: ANYONE can stop rape.

emilyswash:

[trigger warning for discussions of rape? i think]

lipstick-feminists:

Submitted by snowstorminjuly:

I have to say something about the “Men Can Stop Rape” ad.  That is still catering to cultural assumptions about masculinity.  Why can’t it say, “my heart/humanity/intelligence/respect/etc. is not for hurting”?  Why must we reinforce this stereotype?  I am currently in my critical theory class so I can’t formulate my thoughts fully, but it is something I have debated in my gender studies classes many times.  Though I fully agree it’s important to reinforce that no woman is asking for it, etc. etc., I think that this campaign is a kind of anti-feminist way of doing it.  What are other thoughts on this?

my thought is that people don’t generally rape other people with their heart/humanity/intelligence/respect.

i think i get where you’re coming from, but i’m not sure there’s a better way to state it than “strength.” the only problem that word has for me is that it seems to imply that there’s always physical struggle, which is not true

I’m inclined to read the slogan not so much as implying that all men are strong / value their strength but more as indicating the particular type of man the ads are targeting, namely young men who do want to think of themselves as strong.  Which perhaps answers that question but raises another: what about the Nice Guys and other men who don’t see themselves as fitting the masculine stereotype?  (And, indeed, what about the rapists who are not men?)

It feels to me like there isn’t a perfect fit between the slogan and the images and captions used on the ads.  The slogan speaks to the man who wants to be a traditional manly man.  I can’t say with any confidence that that’s the intention, of course, but I can say that it doesn’t really speak to me.  But the images and captions cover a broader sweep of people and scenarios, and the style of the captions is radically simple and plain, in contrast to the rather rhetorical ‘My strength is not for hurting’.  I personally find the captions and images more effective than the slogan.

And to add to Satah’s point, the implication that physical force is necessarily involved isn’t only in the word ‘strength’ but also in the word ‘hurting’.  Of course ‘hurting’ can mean hurting emotionally, and ‘strength’ can mean strength of character, but hung together like that they do carry a horrid subliminal message that if you aren’t physically dominating the other person and the other person doesn’t seem to be in pain then it isn’t rape.  Again, the best I can say is that the individual ads are better and throw their net wider, and I hope they’ll tend to be what has the main impact.

(via nuditea)

emilyswash:

joetheblogger:

supcakes:

Really, Gael? REALLY?!?!?!

Have I ever mentioned that I hate hate HATE movie posters that don’t tell me anything about the movie? I mean, theres absolutely nothing to see here. Are these two married? Are they dating? Kate Hudson looks like she just heard a great joke. Is this a comedy then? What is the romcom balance then?
A little bit of heaven?… Are they dead? Are they wacky ghosts who fall in love?
Okay I’ve got it! They’re wacky ghosts who fall in love, everything is going great as they date in the afterlife until Kate Hudson’s widower dies and then things get allll awkward.

uh, i think the plot is “they have the EXACT SAME NOSE.” that’s all i can gather from this. that’s the whole plot.

The Uninformative Film Poster that’s been annoying me lately is this one for Salt.  Okay, I understand that you can make millions of dollars is ticket-sales just from the people who will go to a film purely on the basis that it contains (1) Angelina Jolie and (2) a gun.  But who are the ad-people and marketing people who are satisfied with this as an example of their work?  Don’t they feel shamefully lazy?  Would Peggy Olson settle for this?
(NB:  If something has happened in the fourth season of Mad men that suggests that the answer to the above question may be ‘yes’, please do not tell me about it because I really don’t want to be spoilered any more than I already am on a weekly basis by simply being on the internet.  Thanx.)

emilyswash:

joetheblogger:

supcakes:

Really, Gael? REALLY?!?!?!

Have I ever mentioned that I hate hate HATE movie posters that don’t tell me anything about the movie? I mean, theres absolutely nothing to see here. Are these two married? Are they dating? Kate Hudson looks like she just heard a great joke. Is this a comedy then? What is the romcom balance then?

A little bit of heaven?… Are they dead? Are they wacky ghosts who fall in love?

Okay I’ve got it! They’re wacky ghosts who fall in love, everything is going great as they date in the afterlife until Kate Hudson’s widower dies and then things get allll awkward.

uh, i think the plot is “they have the EXACT SAME NOSE.” that’s all i can gather from this. that’s the whole plot.

The Uninformative Film Poster that’s been annoying me lately is this one for Salt.  Okay, I understand that you can make millions of dollars is ticket-sales just from the people who will go to a film purely on the basis that it contains (1) Angelina Jolie and (2) a gun.  But who are the ad-people and marketing people who are satisfied with this as an example of their work?  Don’t they feel shamefully lazy?  Would Peggy Olson settle for this?

(NB:  If something has happened in the fourth season of Mad men that suggests that the answer to the above question may be ‘yes’, please do not tell me about it because I really don’t want to be spoilered any more than I already am on a weekly basis by simply being on the internet.  Thanx.)

(via nuditea)